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"Oh, never mind your young and innocent days: we never heard of them," says Dorothy, impatiently. "Do get on to it." "But, my darling child, I can't help the fact that George Rodney left me the Hall," says Geoffrey, deprecatingly, reducing the space between them to a mere nothing, and slipping his arm round her waist. "And if I was a beggar on the face of the earth, I could not love you more than I do, nor could you, I hope"—reproachfully—"love me better either." "You are worn out, my love, my sweetheart," says Geoffrey, very tenderly, speaking to her as though she is in years the child that, in her soul, she truly is. "Come, Mona, you will not cry on this night of all others that has made me yours and you mine! If this thought made you as happy as it makes me, you could not cry. Now lift your head, and let me look at you. There! you have given yourself to me, darling, and there is a good life, I trust, before us; so let us dwell on that, and forget all minor evils. Together we can defy trouble!".

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"Where does he write from?" asks Violet. "You know what I mean," says Mona, reproachfully. "You needn't pretend you don't. And it is quite true that England does despise us." "Do not!" says Mona, again, as though fresh words are impossible to her, drawing her breath quickly. Her evident agitation incenses him to the last degree. Opening the drawer impulsively, he gazes at its contents. They have reached the farm again by this time, and Geoffrey, taking up the guns he had left behind the hall door,—or what old Scully is pleased to call the front door in contradistinction to the back door, through which he is in the habit of making his exits and entrances,—holds out his hand to bid her good-by..